CC0
菊川英山Kan'eiji Temple on Toeizan, from the series "Fashionable Eight Views of Edo (Furyu Edo hakkei)"
0
- Work Type
- Technique
- 木版多色刷／大判
- Year Created (image)
- 1800–1833
- Dimensions
- 38.1 × 26.2 cm
Artist profile
菊川英山
喜多川歌麿が文化三年（1806）に世を去ると、その典雅な美人画をだれが継ぐのかという空白が江戸に生じた。細身で憂いを含んだ女性像を最も長く、最も多く、そして最も美しく描き継いだのが菊川英山（1787〜1867）である。文化・文政期の錦絵界にあって、彼は役者絵の劇性にも風景の叙景にも流れず、ただ「人のかたち」だけを画面の主役に据えつづけた。
View full profileMore by 菊川英山
1814–1817 · 木版多色刷／大判
Bunya no Yasuhide, from the series "Fashionable Children as the Six Immortal Poets (Furyu kodakara rokkasen)"
1814–1817 · 木版多色刷／大判
Ariwara no Narihira, from the series "Fashionable Children as the Six Immortal Poets (Furyu kodakara rokkasen)"
1814 · 木版多色刷／大判
Courtesan of the Chikiriya in Furuichi, Ise Province, from the series "Comparison of Proverbs and Customs (Tatoegusa fuzoku awase)"
1810 · 木版多色刷／大判三枚続の右図
Fashionable Beauties in a Chrysanthemum Garden (Furyu bijin kikubatake)
1807 · 木版多色刷／大判三枚続の右図
Famous Trees in the Eastern Capital: The Cherry Tree at Naruko (Toto meiboku Naruko no sakura)
1807 · 木版多色刷／大判
Two girls under an umbrella, from the series "Contemporary Flowers of the Southeast (Tosei Tatsumi no hana)"
1800–1833 · 木版多色刷／大判
Enjoying the Evening Cool at Ryogoku Bridge (Ryogokubashi noryo), from the series "Fashionable Eight Views of Edo (Furyu Edo hakkei)"
1824–1829 · 木版多色刷／大判三枚続のうち一枚