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窪俊満Pine Trees, from the series "Tosa Diary for the Shofudai, Hisakataya, and Bunbunsha (Shofudai Hisakataya Bunbunsha Tosa nikki)"
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- Work Type
- Technique
- 木版多色刷／色紙判摺物
- Year Created (image)
- 1800–1820
- Dimensions
- 20.7 × 18.4 cm
Artist profile
窪俊満
錦絵といえば紅である。役者の唇、遊女の襦袢、その一点の紅がなければ江戸の版画は成り立たない——はずだった。窪俊満（宝暦7年／1757年〜文政3年／1820年）は、その紅をあえて捨てた絵師である。「紅嫌い（べにぎらい）」と呼ばれるこの選択、鮮烈な赤を退けて藍・墨・紫・雲母のうすい階調で画面を締めるやり方に、この人の醒めた美意識がまるごと表れている。
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1810–1819 · 木版多色刷／色紙判摺物
No. 7: Votive paintings of Six Immortal poets, flying geese, and a pagoda made of coins, from the series "Seven Pictures for the Hisakataya (Hisakataya shichiban no uchi)"
1810–1819 · 木版多色刷／色紙判摺物
Peacock, Pine Tree, and Peonies, from the series "A Set of Three Petals (San hira no uchi)"
1804–1818 · 木版多色刷／色紙判摺物
Tale of the Bamboo Cutter by Kose no Omi (Kose no Omi ga Taketori monogatari), from the series "A Picture Contest for the Sono Poetry Circle (Sono-ren e-awase)"
1810–1819 · 木版多色刷／色紙判摺物
Marigold (Kinsenka) and Rashomon Flowers, from the series "Collection of Plants for the Kasumi Poetry Circle (Kasumi-ren somoku awase)"
1800–1820 · 木版多色刷／色紙判摺物画帖のうち一枚
Takeda Mechanical Device (Takeda karakuri): Haku Rakuten (Chinese: Bai Juyi) and the fisherman
1781–1789 · 木版多色刷／大判六枚続のうち一枚
The Ide Jewel River
1789 · 木版多色刷／長判摺物